Hidden sculptures: Silja Yvettes game with packaging materials

Hidden sculptures: Silja Yvettes game with packaging materials

As part of the ongoing exhibition "Metaphysics of Core Matter" by artist Silja Yvette, the relationship between art and contemporary materials is highlighted. The exhibition examines how packaging materials, which are often considered worthless, can be used and questioned in art. Yvette, whose work in various settings - including the packaging industry, photo laboratory and material research - are staged, uses materials such as foam, styrofoam and aluminum to create temporary sculptures. These materials, which represent archetypes of consumption, are often quickly disposed of and finally forgotten. Through her art, Yvette tries to raise awareness of the associated environmental problems and calls on reflection on dealing with resources. berlin.de reports that the artist pays great attention to the social contextualizations of these materials.

The focus of the exhibition is the artistic examination of the concept of "fatigue", that is, the fatigue, which is also discussed in Marie's work. The "Dark Chamber" work transforms a photo laboratory into individual DIN A4 large sections in which approximately 800 images are reinstalled in a walk -in dark room in the exhibition room. Yvette's two-part series "Tools of Modernity" uses polystyrene recycling plates as a material for the photo studio backdrop, whereby the background itself becomes an object and carrier of the photographed objects.

Hidden dimensions of the recycling

yvettes art creates a bridge between different disciplines and encourages to question the influence of packaging materials on society. Especially in the relevance of the topic of recycling it turns out that art galleries are increasingly recognizing the importance of recycling for the environment and creative processes. According to a blog post by the recycling courtyard, it is essential for contemporary artists to use recycled materials in order to draw attention to pressing environmental problems. This is done by various methods, such as the reuse of materials, upcycling of old works of art and organizing recycling events.

The historical development of recycling in art goes back to ancient times, and in the modern art scene we see a conscious return on the sustainable handling of materials. Yvette is part of this movement because her work illustrates the environmentally problemic expansion of contemporary materials and lively discussions about photographic production and resource use. emop-berlin.eu emphasizes that their work can be interpreted as a desperate attempt to take responsibility.

This manifests itself not only art, but also an active discourse on sustainability and the responsible use of materials in Silja Yvette's project. By focusing on packaging materials, which are often only valued for a short time, the focus of her work, it opens up new perspectives on the contemporary reality of accelerated life. Art, it shows, can be more than just aesthetic expression; It can be a catalyst for environmentally conscious reflections and changes. Recyclinghof-wertoffhof.de summarizes that art galleries in this discussion can take on a pioneering role in the sustainable art scene.